நடன அபிநயத்தின் ஊடாக திணை இலக்கியத்தின் சிருங்கார ரஸம் வெளிப்பாடு

The Expression of Love in Tinai Literature through Dance Abhinaya

Abstract

In Tamil Sangam literature, the Akam (interior) poems portray the subtle emotions of human love in close association with nature. Through the five landscapesKurinji, Mullai, Marutham, Neithal, and Palai various phases of love such as union, waiting, conflict, separation, and longing are delicately expressed. These emotional states correspond to what is known in Indian aesthetic theory as Srinrara Rasa (the sentiment of love).In classical dance forms, especially Bharatanatyam, these emotions of love are brought to life on stage through Abhinaya (expressive techniques). The integration of Angika (body movements), Vachika (verbal elements), Aharya (costume and adornment), and Sattvika (inner emotional expression) enables the portrayal of Nayaka–Nayaki (hero–heroine) bhavas. Through facial expressions, hand gestures, and bodily movements, the emotional essence of love is effectively communicated to the audience.Thus, the love expressed in Tinai literature through poetic language is transformed into a visual and performative experience in dance. This study explores the relationship between the emotional expressions found in Tinai literature and their representation through dance abhinaya, highlighting the shared aesthetic foundation of literature and performance.