கண்ணதாசன் திரையிசைப்பாடல்களில் சமுதாயச்சிந்தனை

Social Consciousness in Kannadasan's Film Songs

Authors

  • Mrs N. Vijayalakshmi Full-time Ph.D. Research Scholar, Department of Tamil, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78. Author
  • Dr S. Maheswari Assistant professor, Department of tamil, Faculty of Humanities and Science, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78. Author

DOI:

https://doi.org/10.63300/kijts05sp062026.04

Keywords:

Family, life, marriage, wife, head of the family, female head of the family, brother-sister relationship, social structure, education in society

Abstract

Society represents a collective way of life. It emerged when humans transitioned from an animalistic state to one of mutual interaction and relationships. People come together and function based on shared foundations such as religion, culture, politics, science, and patriotism. A community of people living together is referred to as a society. If a writer drifts away from social reality, he becomes isolated. Works created in harmony with society are cherished by people long after their time. 'Kaviarasar' has woven his personal experiences into his poems and songs, presenting them in a manner that resonates with society. The poet has been deeply influenced by experiences in both his personal and public life. Consequently, he has crafted his poetry with a focus on society, while maintaining literary excellence. Family relationships form the foundation of people's way of life; indeed, it is these family bonds that blossom into society itself. Literature portrays the social interactions and lifestyles of people living together in society, the highs and lows they experience, their likes and dislikes, their culture, and the inner anguish of the working class. This article examines the social norms and moral principles found in the songs of the poet Kannadasan.

Downloads

Download data is not yet available.

Author Biographies

  • Mrs N. Vijayalakshmi, Full-time Ph.D. Research Scholar, Department of Tamil, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78.

    திருமதி.விஜயலட்சுமி, முனைவர் பட்ட ஆய்வாளர் (முழு நேரம்) தமிழ்த்துறை, மீனாட்சி கலை மற்றும் அறிவியல் கல்லூரி, மீனாட்சி உயர்கல்வி மற்றும் ஆராய்ச்சி  நிறுவனம், நிகர்நிலைப் பல்கலைக்கழகம், கே.கே.நகர், சென்னை-78.

    Mrs N. Vijayalakshmi*, Full-time Ph.D. Research Scholar, Department of Tamil, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78.

    ORCiD: https://orcid.org/0009-0002-9880-1350.

    *Corresponding Author Email: vijaya_res@maher.ac.in, Tel:  9500613611

  • Dr S. Maheswari, Assistant professor, Department of tamil, Faculty of Humanities and Science, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78.

    முனைவர் செ.மகேஸ்வரி, M.A., M.Phil., Ph.D., Net. நெறியாளர், உதவிப் பேராசிரியர்,  தமிழ்த்துறை, மீனாட்சி கலை மற்றும் அறிவியல் கல்லூரி, மீனாட்சி உயர்கல்வி மற்றும் ஆராய்ச்சி நிறுவனம், நிகர்நிலைப் பல்கலைக்கழகம்,கே.கே.நகர், சென்னை-78.

    Dr S. Maheswari, M.A., M.Phil., Ph.D., NET, Assistant professor, Department of tamil, Faculty of Humanities and Science, Meenakshi College of Arts and Science, Meenakshi Academy of Higher Education and Research (Deemed to be University), K.K. Nagar, Chennai-78.

    ORCiD: https://orcid.org/0009-0005-2165-2280, EMail: maheshwari_s@maherfhs.ac.in.

References

[1]. Kannathaasan, kannadasan thirai isaippaadalgal thoguthi 1 vaanathi pathippagam Chennai, inthaam pathippu 1992.

[2]. Kannathaasan, kannadasan thirai isaippaadalgal thoguthi 2 vaanathi pathippagam Chennai, naangaam pathippu 1988.

[3]. Kannathaasan, kannadasan thirai isaippaadalgal thoguthi 3 vaanathi pathippagam Chennai, irandaam pathippu 1992.

[4]. Kannathaasan, kannadasan thirai isaip paadalkal thoguthi 4 vaanathi pathippagam Chennai, irandaam pathippu 1992.

[5]. Kannathaasan, kannadasan thirai isaip paadalkal thoguthi 5 vaanathi pathippagam Chennai, pathinondraam pathippu 1991.

[6]. Sabitha Joseph, *Kannadasan: 100 Kaviya Thuligal* (100 Poetic Drops of Kannadasan), Nakkeeran Publications, 105, Johnny John Khan Road, Royapettah, Chennai-14, Fifth Edition - 2012.

[7]. S. Thirugnanasambandam, *Tholkappiyam – Porulathikaram*, Kathir Pathippagam, South Street, Thiruvaiyaru, First Edition, March 2018.

[8]. Naga. Jegasirpiyan, *The Human Mind in Kannadasan’s Songs*, Kannadasan Pathippagam, 12, Kannadasan Salai, Thyagaraya Nagar, Chennai - 600 017. Second Edition - 1999.

[9]. K. Muthukumarasamy, *Samuthaya Sandhanaiyil Kaviarasu Kannadasan*, Valli Pathippagam, No. 55, Door No. B-3, Second Floor, Sreeji Apartments, Manapakkam Main Road, Manapakkam, Chennai 600 125, First Edition: 2018.

[10]. S.V. Subramanian, *Sangailakkiyam Moolamum Uraiyum* (Sangam Literature: Original Text and Commentary), Manivasagar Pathippagam, 31, Singar Street, Parrys, Chennai-600108, First Edition - 2006.

[11]. Puliyur Kesikan (Ed.), *Thirukkural: New Commentary*, Poompuhar Prasuram, Chennai, Eighth Edition, 1993.

Downloads

Published

01-07-2026

How to Cite

திருமதி ந.விஜயலட்சுமி, & முனைவர் செ.மகேஸ்வரி. (2026). கண்ணதாசன் திரையிசைப்பாடல்களில் சமுதாயச்சிந்தனை: Social Consciousness in Kannadasan’s Film Songs. KALANJIYAM - International Journal of Tamil Studies, 5(sp06), 28-38. https://doi.org/10.63300/kijts05sp062026.04

Similar Articles

1-10 of 91

You may also start an advanced similarity search for this article.